Dark Silver: Work in progress 2016

Join us on December 9, 6-9PM for an open studio featuring work in progress from the Dark Silver portrait series. Selected large scale prints will be on display from some of this past years sessions. Hours are by appointment only for the remainder of December.

Dark Silver is a project devoted to creating traditional black and white photographic portraits. The portrait sessions are done with large or medium format cameras, and result in beautiful, one of a kind silver gelatin negatives and prints, using a real darkroom. The process is slower and less “perfect” than modern digital imaging, but the process informs the aesthetic: rich silver-based images where time and light are carefully measured and refracted through the lens onto the film. Photographs are printed with old, mechanical enlargers and hand processed in the dark room, resulting in unique, one of a kind prints which will last generations.

080316-maggie

dark silver portrait

12X

12X is the working title for the next Dark Silver portrait project in 2015. This time working in medium format b&w film, I am looking for individual subjects for a unique series of portraits to be displayed at my gallery and featured in the next catalog. Subjects will pose within a simple and limited set of parameters, and all images that are created will be utilized in the final installation.
UPDATE:
Thank you to all who participated! The response and participation was incredible and greatly appreciated. Stay tuned for details about the finished project coming soon.

12x 6

Silver Scuro: Portraits in B&W

The launch of Silver Scuro opens with a new exhibit of portraits created with the large format view camera at Mastroianni Photography and Arts on December 12, 2014, and continues throughout the winter. Silver Scuro is devoted to creating images with traditional black and white film, and hand-printed in the darkroom on real silver gelatin b&w paper.

Sitting for the view camera is a commitment, both for the subject and the photographer. The camera itself is large and unwieldily, requiring a tripod and space to set it up. The process of creating the exposure is as far from point and shoot as one can get; light is metered, focus is set, film is loaded, and shutter is released. The exposures tend to be long, often several seconds, and the depth of field can be very shallow, often a few inches, so the subject must be perfectly still for the entire process. The materials—film, paper, chemistry—have become more rare and more expensive in the past decade, making every shot count. But it’s the slow, deliberate process which delivers the intense and decisive images.

While it’s easy to become enamored with the old time look of these photographs, using traditional black & white film and paper is not about nostalgia or style, it’s about the process and the medium. I can recreate the “look” on a digital image with a couple of clicks in Photoshop, but it’s just artificial flavoring on a substitute product. Sitting for the photographer, creating the exposures, the characteristics of the large lenses and cameras, the physicality of the film and paper, the real silver that makes the image—these are the things which make the photographs interesting and unique. Process informs aesthetic.

A catalog of the show is available online for $19.99.

8x10-negative
Richard Hearn, scientist/musician